A collaboration between Jessica Makins and Stephanie Tudor, this garden defied its diminutive dimensions by confining seating to the sidelines, in a clay-coloured, cob bench combo, by Jeffrey Hart at Hartwyn, consisting of cleverly integrated cushions and natty nooks, which smacked of New Mexico and its ancient Pueblos.
Heath Sawn Sandstone, with its uniform dove-grey colouring, by London Stone, teamed well with the organic cotton cushions and kept things light and airy. A natural, unpainted wooden pergola, connected to the studio, defined this area and echoed the treatment on the window frames and doorway.
Ethical AND exciting – yes, those two really can coexist – this dream space, inspired by the life and work of artist Georgia O’Keefe, stole the show with a contemporary palette of grey-green planting and monochromatic blooms, which would inspire any painter who took up residency in this garden’s artfully accessorised studio.
Well-deserving of its Gold and People’s Choice awards, don’t you think!
I’ve admired the gardens of Peter Dowle, from Howle Hill Nursery since my inaugural visit to RHS Malvern Spring Festival, in 2016, when his garden ‘Reflections of Japan’ won Gold and captured my imagination with its aspirational Acers and expanse of water. In subsequent years, his gardens have continued to inspire me and have even graced the pages of my garden design assignments, in which I’ve referenced his expert use of focal points, water and naturalistic planting. This year was no different.
Under the banner of his new venture, Leaf Creative, his 2019 Gold-award-winning garden, ‘A Garden of Quiet Contemplation’, was more formal than those of late, but his signature style was written all over, featuring the elements that I have come to know and love, and included the beautiful sculpture of ‘Zephyr, mistress of the wind’, by Simon Gudgeon Sculpture, atop a circular infinity pool.
The ‘Kast Dark Grey’ Porcelain, by Mandarin Stone, provided a stylish and non-slip foil to the soft landscaping, and looked beautiful wet or dry. Accessed from multiple angles, and perfectly integrated into the wider landscape, it was easy to see how this garden would form part of a larger space, but delivered the seclusion required to experience this garden in quiet contemplation, as intended, which won it ‘Best in Show’.