A collaboration between Jessica Makins and Stephanie Tudor, this garden defied its diminutive dimensions by confining seating to the sidelines, in a clay-coloured, cob bench combo, by Jeffrey Hart at Hartwyn, consisting of cleverly integrated cushions and natty nooks, which smacked of New Mexico and its ancient Pueblos.
Heath Sawn Sandstone, with its uniform dove-grey colouring, by London Stone, teamed well with the organic cotton cushions and kept things light and airy. A natural, unpainted wooden pergola, connected to the studio, defined this area and echoed the treatment on the window frames and doorway.
Ethical AND exciting – yes, those two really can coexist – this dream space, inspired by the life and work of artist Georgia O’Keefe, stole the show with a contemporary palette of grey-green planting and monochromatic blooms, which would inspire any painter who took up residency in this garden’s artfully accessorised studio.
Well-deserving of its Gold and People’s Choice awards, don’t you think!
I’ve admired the gardens of Peter Dowle, from Howle Hill Nursery since my inaugural visit to RHS Malvern Spring Festival, in 2016, when his garden ‘Reflections of Japan’ won Gold and captured my imagination with its aspirational Acers and expanse of water. In subsequent years, his gardens have continued to inspire me and have even graced the pages of my garden design assignments, in which I’ve referenced his expert use of focal points, water and naturalistic planting. This year was no different.
Under the banner of his new venture, Leaf Creative, his 2019 Gold-award-winning garden, ‘A Garden of Quiet Contemplation’, was more formal than those of late, but his signature style was written all over, featuring the elements that I have come to know and love, and included the beautiful sculpture of ‘Zephyr, mistress of the wind’, by Simon Gudgeon Sculpture, atop a circular infinity pool.
The ‘Kast Dark Grey’ Porcelain, by Mandarin Stone, provided a stylish and non-slip foil to the soft landscaping, and looked beautiful wet or dry. Accessed from multiple angles, and perfectly integrated into the wider landscape, it was easy to see how this garden would form part of a larger space, but delivered the seclusion required to experience this garden in quiet contemplation, as intended, which won it ‘Best in Show’.
I’ve been pulled in all directions, lately, that it’s been difficult finding the time to be mindful, and truly present in the moment, but if ever a garden symbolises serenity and inspires self-care, this one does. The Spirit of the Woods, by Peter Dowle of Howle Hill Nursery, is more than a gold award-winning show garden; it’s an experience.
The moment you step onto that jetty, and look across the lake to the meditative mask, created by sculptor Simon Gudgeon, you disconnect from the baying crowds and reconnect with nature. Framed by the naturalistic planting, which blends seamlessly with the landscape beyond, it evokes empathy from the viewer as you become a reflection of the scene and intimately acquainted with it.
Unfortunately, I didn’t have the opportunity to get up close and personal with this vision in the valley, such was the demand on its Designer, but it was so wonderful to witness its whispering waters, which spoke to so many, who may have needed it more than I did, from a young boy in his wheelchair, to many more who hugged its shores as I looked on from a distance. A sight to behold.
A selection of stunning show gardens from the RHS Malvern Spring Festival, yesterday. I have a particular soft spot for the Molecular Garden (bottom right) and had the pleasure of meeting one of its Russian designers, Denis Kalashnikov, to pass on my congratulations. But, the ‘At One With… A Meditation Garden’, by Peter Dowle, really stuck a chord with me (top left) and was the perfect way to conclude Mental Health Awareness Week. The gardens were all really rather good, though, and there was something for everyone.